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"Intellectual Property is the oil of the 21st century" - this quote by Mark Getty, chairman of Getty Images, one of the world's largest Intellectual Proprietors, offers a unique perspective on the current conflicts around copyrights, patents and trademarks. Not only does it open up the complete panorama of conceptual confusion that surrounds this relatively new and rather hallucinatory form of property - it must also be understood as a direct declaration of war.
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At 8.40am on Monday 15 December, a new post appeared on an internet forum called the Darkside Release Group. "Darkside_RG" is a clearing house for internet pirates, a site dedicated to the online redistribution of movies, music and videogames. Its members happily spend their days sharing and discussing their ill-begotten booty on the site's many message boards.
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"...the 1,000th movie uploaded by aXXo, the internet's most popular and enduring pirate. If you already know his name, chances are you've been doing something illegal."
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Earlier this month, an estimable group of disgruntled British film-makers – including Kenneth Branagh, Richard Curtis and Stephen Daldry – signed a letter to The Times demanding government action against the internet service providers (ISPs) who make illegal filesharing possible. The MPAA, meanwhile, is already lobbying the incoming Obama administration in the US to improve internet filtering technology in the hope of foiling online piracy. Thanks to new legislation, President Obama will be required to nominate the country's first "copyright tsar" to oversee such issues.
The biggest problem for anti-piracy groups is the growing social acceptability of illegal filesharing. "The easier you make it for people to download, the more people do it," says Price, "and the less moral or ethical concerns they have about it. I talk to teachers and solicitors who'll say they streamed something from the internet, without realising it's illegitimate." The entertainment industry is still seen as bloated and greedy. Downloading movies is an apparently victimless crime, and if there is a victim, it's "The Man".
"We also never see how their data is calculated," says Becky Hogge, executive director of the Open Rights Group, a civil liberties group devoted to the digital universe. "Policymakers trot out figures, but we're never sure of their provenance. There is a meme sloshing around that suggests they overestimate the numbers. They used to equate the cost of piracy to the [entertainment] industry as a multiple of how many files were being shared illicitly online, which assumes that if you didn't get the stuff for free, you'd go out and buy all of it – which simply doesn't hold."
The biggest problem for anti-piracy groups is the growing social acceptability of illegal filesharing. "The easier you make it for people to download, the more people do it," says Price, "and the less moral or ethical concerns they have about it. I talk to teachers and solicitors who'll say they streamed something from the internet, without realising it's illegitimate." The entertainment industry is still seen as bloated and greedy. Downloading movies is an apparently victimless crime, and if there is a victim, it's "The Man".
"We also never see how their data is calculated," says Becky Hogge, executive director of the Open Rights Group, a civil liberties group devoted to the digital universe. "Policymakers trot out figures, but we're never sure of their provenance. There is a meme sloshing around that suggests they overestimate the numbers. They used to equate the cost of piracy to the [entertainment] industry as a multiple of how many files were being shared illicitly online, which assumes that if you didn't get the stuff for free, you'd go out and buy all of it – which simply doesn't hold."
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It's even difficult to prove the pirates' detrimental effect on individual films. The most pirated movie of 2008, according to TorrentFreak's annual listing, was also the year's biggest box-office success: Batman sequel The Dark Knight. The film's cinema release grossed close to $1bn (£700m) worldwide, and three million copies of the DVD were sold on its first day in the shops. Although it was downloaded more than seven million times on BitTorrent alone, Ernesto reported in his accompanying post, comments on various sites suggest that many of the downloaders had also paid to see the film at the cinema.
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Mason's book demonstrates that the history of piracy is also a history of innovation, one that includes the names Thomas Edison (inventor of the record player) and William Fox (founder of Hollywood). Ernesto agrees: "The ever-increasing piracy rates show there is a demand that the entertainment industry has not satisfied. Thanks to the internet, access to media on demand has become reality, and people seem to love it. It's now up to the movie and music industry to come up with a model that can compete with these filesharing networks."
iTunes has proved that the music industry can compete with a parallel black market online. In the US, Hulu.com, a website set up by the major television networks to stream their programming online, has done the same. Project Kangaroo, the UK equivalent, is currently in the works. "If it's very easy to find and has a lot of content, people will use it," says Price. "Hulu is bringing in huge amounts of advertising revenue for the TV companies, and it's bringing people back from the piracy networks."
"The entertainment industry would make more for artists if it embraced these technologies and found ways of doing business online," Hogge argues. "When you have six million people breaking the law, it's the law that needs changing, not the people."
iTunes has proved that the music industry can compete with a parallel black market online. In the US, Hulu.com, a website set up by the major television networks to stream their programming online, has done the same. Project Kangaroo, the UK equivalent, is currently in the works. "If it's very easy to find and has a lot of content, people will use it," says Price. "Hulu is bringing in huge amounts of advertising revenue for the TV companies, and it's bringing people back from the piracy networks."
"The entertainment industry would make more for artists if it embraced these technologies and found ways of doing business online," Hogge argues. "When you have six million people breaking the law, it's the law that needs changing, not the people."
If you want to read the full articles please fallow the links!
Sorry for put so many quotes but they are necessary to enforce my point of view.
Someone here concider himself a thief?
I do not, although having downloaded almost every film released by Axxo and after him by secretmyth, which are my favorite rippers, but has drawn many more and now i lost my count, I went to see some of these movies at the cinema, even after have downloaded them, said what they will said, accuse me of everything they want, I consider myself less a thief than the people who make movies, because I do not win anything with downloads that i do and the people from Hollywood are increasingly buried in cash!
Take for example the list of 20 most profitable films of all time:
Rank Title Worldwide Box Office
1. Avatar (2009) $2,211,595,771
2. Titanic (1997) $1,835,300,000
3. The Lord of the Rings: The Return of the King (2003) $1,129,219,252
4. Pirates of the Caribbean: Dead Man's Chest (2006) $1,060,332,628
5. The Dark Knight (2008) $1,001,921,825
6. Harry Potter and the Sorcerer's Stone (2001) $968,657,891
7. Pirates of the Caribbean: At World's End (2007) $958,404,152
8. Harry Potter and the Order of the Phoenix (2007) $937,000,866
9. Harry Potter and the Half-Blood Prince (2009) $933,956,980
10. Star Wars: Episode I - The Phantom Menace (1999) $922,379,000
11. The Lord of the Rings: The Two Towers (2002) $921,600,000
12. Jurassic Park (1993) $919,700,000
13. Harry Potter and the Goblet of Fire (2005) $892,194,397
14. Ice Age: Dawn of the Dinosaurs (2009) $887,773,705
15. Spider-Man 3 (2007) $885,430,303
16. Shrek 2 (2004) $880,871,036
17. Harry Potter and the Chamber of Secrets (2002) $866,300,000
18. Finding Nemo (2003) $865,000,000
19. The Lord of the Rings: The Fellowship of the Ring (2001) $860,700,000
20. Star Wars: Episode III - Revenge of the Sith (2005) $848,462,555
in "All-Time Worldwide Box office" - www.imdb.com
Imagine the times you can rebuild Haiti with this money, and these are only 20 movies ...
You think these gentlemen need to worry about mortgages, or if they worry about spending their salary in the supermarket to eat or pay their bills!
Think if is it time to change what is wrong, they really need a war to end this hypocrisy?!
And our leaders think they are willing to make these changes?!
I honestly do not think so, because you only need to compare bank account of a politician with a movie star, the slope is astronomical, no political gain as much as a successful filmmaker and everyone knows that money is power!
But the changes have to be made, as were made in past centuries with the church and its censorship, as was done with the lords of oil and the laws to approve and fund new forms of clean energy.
Are we that could do these changes, we who elected our leaders, every vote, every word of rebellion, every manifestation!
That is why it is important not to be afraid, it is important not to give up and every seed is important!
Here some websites that you could like to visit:
http://www.stealthisfilm.com/ (See that movies)
http://torrentfreak.com/
Against intellectual property
http://baywords.com/
http://www.kopimi.com/kopimi/
Everything You Need To Refute a File-Sharing Legal Threat
Please leave your comment, that is a topic that matters to everyone here!
AND DARKSIDE RG IS NOT A CLEARING HOUSE!
